“Feminist Culture and the New Order [editor’s note],” Janine Marchessault and Susan Morrison
“Letter From an Editor [editor’s note],” Florence jacobowitz
“Kindler, Gentler CineACTION? [editor’s note],” Scott Forsyth
“Documentary: Theory, Practice and … Watching the Gulf War [editor’s note],” Kass Banning and Scott Forsyth
“The (Female) Subject of Masochism: Forgive Me, Father, For I Have Sinned…,” Susan Morrison
“Madonna Wannabe,” Sarah Evans
“Bad Magic: Germaine Dulac’s La Souriante Madam Beaudet ,” Susan Lord
“Feminist Avant-Garde Cinema: From Introspection to Retrospection,” Janine Marchessault
“Dog and Woman, Together at Last: Animals in the Films of Neil Shipman,” Kay Armatage
“Boys, Girls, and Switch: On the Policing of Sex and Gender,” Ki Namaste
“Twin Peaks Mountains or Molehills?,” Christine Ramsey
“In Light of Difference: In Visible Colours Film/Video Festival and Symposium,” Monika Gagnon
“The Subaltern Body: A Study in Ethics, Alterity, and Subject Construction,” Helen Lee
“Dorothy’s Arzner’s Dance Girl, Dance: Regendering the Male Gaze,” Samuel L. Chell
“Criticism or Complicity?: The Question of the Treatment of Rape and the Rape Victim in Jonathan Kaplan’s The Accused,” Mallorie Cook
“All About Eve, Margo, Karen …,” Robert K. Lightning
“Women in Film: Teaching Across Disciplines,” Marilyn Burgess
