GENRE
Shocked and Awed? Hostel and the Spectacle of Self-Mutilation by Gregory A. Burris
Genre Matters: Film Criticism and the Social Relevance of Genres by Juan A. Tarancón
Who’s Bleeding Whom? Analyzing the Cultural Flows of Blaxploitation Cinema, Then and Now By John Semley
Telling the (Wrong) Story: The Disintegration of Transcultural Communication and Narrative in The Fall by E. Charlotte Stevens
Where Do We Go From Here? Confronting Contingency with Gerry by Lee Knuttila
TORONTO INTERNATIONAL FILM FESTIVAL
White Material A Film by Claire Denis by Florence Jacobowitz
European Melodramas The Refuge and I Am Love by RICHARD LIPPE
What Does a Woman Want? Io sono lamore/I Am Love and Cairo Time by Susan Morrison
A TRIBUTE
Jennifer Jones and Jean Simmons by RICHARD LIPPE
GLOBAL CINEMA
City Spaces and National Identity by Katrina Sark
The Language of Emotion in Godard’s Films by Anuja Madan
Neither Hand, Nor Foot, Nor Kidney: Biopower, Body Parts and Human Flows in Stephen Frear’s Dirty Pretty Things by Larissa Lai
