WAR FILMS
Explosive Structure Fragmenting the New Modernist War Narrative in The Hurt Locker
by Douglas A. Cunningham
Imperial Symptoms In the Valley of Elah and the Cinematic Response to the “War on Terror” by Gregory A. Burris
Refiguring Rambo Competing Imperatives in the High Concept War Film by Harrison Gish
Critical Voices Points of View in and on The Thin Red Line by Jeremy Millington
Representing the Human Condition in the Great War William Boyd’s The New Confessions and The Trench by Jane Mattisson
FEMALE DIRECTORS
Formal Innovation and Feminist Freedom Vera Chytilova’s Daisies by Alison Frank
Female Sexuality, Islam and the Global Leila Merrakshi’s Controversial Film Marok by Touria Khannous
Original Visions Female Directors in Contemporary Japanese Cinema by Adam Bingham Seeds of Summer by Maria San Filippo
Enough Already The Wonderful, Horrible Reception of Nancy Meyers by Darryl Wiggers
