How to Read Iron Man

The Economics, Geopolitics and Ideology of an Imperial Film Commodity

– by Tanner Mirrlees

 

The Battle of Algiers

Towards a Revolutionary Space

– by William Repass

 

“It’s All About Mercy”

Aki Kaurismäki and the Art of Getting By

– by Marc Saint-Cyr

 

Post-Racial Pipedreams

Race and Class in The Blind Side

– by Greg Burris

 

El día que me quieras/The Day That You’ll Love Me

Che, Intertextuality, Memory, and the Power of Images

– by Patricia Varas & Catherine Ann Collins

 

Super-Perception

Minorities Depicted in Comic Book Filmic Adaptations

– by Michael Lipiner

 

Scandal in the Name of Truth

Hollywood Movies and the Violation of Moral Propriety

– by Anne Crémieux

 

Shuddh Desi Romance

Impurely Bollywood

– by Ajay Gehlawat

 

Polytechnique and Elephant

Two Approaches to School Violence

– by Robert K. Lightning

 

Constructions of Non-Diegetic Hope in Don McKellar’s Last Night

– by David Christopher

 

2013 Toronto International Film Festival:

“Beware of The Dog”

An Archaeology of a Thoroughly Mediated Event in the Life of a Bank Robber

– by Susan Morrison

 

Claude Lanzmann’s The Last of the Unjust

– by Florence Jacobowitz

 

Stranger by the Lake: what is love?

– by Richard Lippe

 

Constructions of Non-Diegetic Hope in Don McKellar’s Last Night

– by David Christopher