How to Read Iron Man
The Economics, Geopolitics and Ideology of an Imperial Film Commodity
– by Tanner Mirrlees
The Battle of Algiers
Towards a Revolutionary Space
– by William Repass
“It’s All About Mercy”
Aki Kaurismäki and the Art of Getting By
– by Marc Saint-Cyr
Post-Racial Pipedreams
Race and Class in The Blind Side
– by Greg Burris
El día que me quieras/The Day That You’ll Love Me
Che, Intertextuality, Memory, and the Power of Images
– by Patricia Varas & Catherine Ann Collins
Super-Perception
Minorities Depicted in Comic Book Filmic Adaptations
– by Michael Lipiner
Scandal in the Name of Truth
Hollywood Movies and the Violation of Moral Propriety
– by Anne Crémieux
Shuddh Desi Romance
Impurely Bollywood
– by Ajay Gehlawat
Polytechnique and Elephant
Two Approaches to School Violence
– by Robert K. Lightning
Constructions of Non-Diegetic Hope in Don McKellar’s Last Night
– by David Christopher
2013 Toronto International Film Festival:
“Beware of The Dog”
An Archaeology of a Thoroughly Mediated Event in the Life of a Bank Robber
– by Susan Morrison
Claude Lanzmann’s The Last of the Unjust
– by Florence Jacobowitz
Stranger by the Lake: what is love?
– by Richard Lippe
Constructions of Non-Diegetic Hope in Don McKellar’s Last Night
– by David Christopher
